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Media Release: Strong audience demand for live music lives on despite cost-of-living pressures

Creative Australia

 

A new report released today by Creative Australia and Music Australia reveals social connection and FOMO (fear of missing out) are key factors drawing Australian audiences to live music, even as many adjust their spending in response to cost-of-living pressures.

 

Listening In: Insights on Live Music Attendance is the first in a series of three reports exploring how Australians discover, experience and engage with music.

 

Based on data from a nationally representative sample, as well as a deep dive survey of Australians who are actively engaged in music, the report highlights how deeply Australians value live music, and what is holding them back from attending as often as they’d like.

 

The research was delivered by the Creative Australia research team for Music Australia, in partnership with Untitled Group and The Daily Aus, and in collaboration with youth music organisation, The Push. It is being launched today as part of the VMDO Music Data and Insights Summit in Melbourne.

 

Among the key insights, the report shows:

 

  • Australians are saving for the live music experiences that matter to them, amid cost-of-living pressures
  • The emotional and social value of live music is a key motivator for attendance, especially for younger audiences
  • There is a disconnect between Australians’ strong support for Australian artists and actual attendance at Australian acts
  • Audiences want to see more Australian music but are prioritising international acts due to their rarity and an unwillingness to miss what they see as ‘once-in-a-lifetime' opportunities
  • Lack of awareness and access – especially outside major cities – remain a challenge
  • Rising costs (tickets, travel, food and drinks) are a barrier, but audiences still prioritise live music when they can
  • Changing audience behaviour is presenting challenges to business models for live music, as rising costs prompt audiences to cut back on spending at the bar, and buy tickets later.

 

Director of Music Australia Millie Millgate, said:

 

“We know Australians value live music, and they continue to seek out the chance to experience it, even when times are tough. People still save for gigs that matter to them, showing there’s still strong appetite for live music – especially experiences that feel rare and bring people together. This report builds on the insights of our Soundcheck reports and helps to provide a clearer picture of how Australians discover and engage with Australian music. This research provides valuable insights into how Australians are responding to the multiple changes impacting the sector. It will help guide our work and give the industry insights to better connect with audiences.”

Untitled Group Co-Founder & Managing Partner, Michael Christidis, said:

“At Untitled Group, we see firsthand the power of live music to create unforgettable moments and connection — especially among young Australians. This research confirms what we experience on the ground: even in tough economic times, people prioritise live music for its emotional and social value. We’re proud to have partnered with Music Australia and The Daily Aus, in collaboration with The Push, to help bring these insights to light. It’s a call to action for the industry to ensure that live music remains a shared, accessible cultural experience.”


Listening In: Insights on live music attendance is the first in a three-report series from Music Australia. This research provides insights into how Australians discover and consume music along with audiences’ wider attitudes, behaviours and preferences. It also seeks to better understand how Australian music sits within the overall music consumption habits, as well as how people feel about Australian music, and their current access to it. 

 

A panel discussion on the report findings will be held today (2-5 PM AEST, Tuesday 29 April) as part of the VMDO’s Music Data & Insights Summit. Register here to join the livestream.

 

Read the report on our website.

 

Media contacts:

Brianna Roberts, Media Manager, Creative Australia

Mobile: 0498 123 541

Email: [email protected]

 


Key Facts:

 

When looking at the general population:

  • The majority of Australians say music is really important to them (62%)
  • Almost half of Australians attended at least one live music event in the past 12 months
  • 18-24-year-olds are the most likely age group to attend live music events
  • But young Australians are now less likely to say they prefer to go out than stay in compared to 2019
  • Cost is the primary barrier, and Australians are feeling less financially secure than they did before the pandemic
  • Despite cost-of-living pressures, Australians are spending more on arts and leisure
  • Major venues are the most popular setting for live music, while attendance at pubs and clubs has declined since 2019

 

Among existing audiences for live music:

  • 92% say that live music events have a big or very big impact on their sense of wellbeing and happiness

 

  • Most music-engaged respondents attend 3-5 live music events per year
  • 66% want to listen to more Australian music
  • Almost half say that they would like to attend more live music events featuring Australian artists
  • 51% say they’d like to attend more local gigs, but don’t know where to find out about them
  • Cost is the primary barrier, and almost three quarters saved up money to attend one or more major live music events in the past 12 months (72%)
  • FOMO is a key driver of attendance, especially for international acts and some are willing to ‘break the bank’ to attend

 

  • 97% of music-engaged respondents drink alcohol at live music events

  • But more than half say they drink before they come to the event (54%), with most citing high costs of alcohol as the main reason

 


Contact details:

Brianna Roberts, Media Manager, Creative Australia

Phone: (02) 9215 9030 / 0498 123 541

Email: [email protected]

 

Attachments

Media Release - Listening In Report on Live Attendance 29042025.pdf

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